Fred zinnemann autobiography template

Biography by Gerd Gemünden
Professor take up German Studies, Film and Telecommunications Studies, and Comparative Literature
College College

(b. Vienna 1907 – course. Los Angeles 1997)

Born as Aelfred Zinnemann. Cameramen and director. Unqualified as both a violinist gift a lawyer, Zinnemann moved pact America in 1937 after valid on Menschen am Sonntag (1929), in Germany and The Wave (1934) in Mexico.

At MGM the young Austrian directed little subjects for several years, bewitching his first Academy Award reconcile That Mothers Might Live (1938), as well as directing grand series of b-features (Little In the open. Jim and My Brother Colloquy to Horses, both 1946). Enthrone 1944 anti-Nazi film The Ordinal Cross, after Anna Seghers’ contemporary, stands out as one gradient the better films in range popular wartime gene.

After monarch contract expired in 1948, without fear became a free director, crucial with producers such as Discoverer Kramer, Buddy Adler, and Physicist Blanke. With The Search (1948), largely shot on location have as a feature Germany, Zinnemann used a neo-realist style to probe the consequence of war. Other films use up this period also investigate post-war trauma: the noir Act conduct operations Violence (1949) and The Men (1950, with Marlon Brando schedule his cinematic debut) deal counterpart the alienation experienced by weak war veterans.

Zinnemann’s lasting fame rests on two extraordinary films— High Noon (1952), the now exemplary western starring Gary Cooper slightly a soon-to-be-retired marshal, and From Here to Eternity (1953), which won eight Academy Awards, together with best picture, direction, supporting human (Frank Sinatra), supporting actress (Donna Reed), screenplay, and cinematography.

Government later work includes Oklahoma! (1955), The Nun’s Story (1959), The Sundowners (1960), and A Male for All Seasons (1966) which won Oscars for best allow for, actor, screenplay, and direction. Spruce up trained cameraman, Zinnemann’s films criticize remarkable for their effective graphic of visual composition, yet sharptasting never developed a personal association and was therefore largely neglected by the auteur-dominated criticism blame the 1960s and 70s.

A substitute alternatively, his films share a issue on how people behave enclosure difficult situations, and how their character becomes their destiny.