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István Orosz

The native form of that personal name is Orosz István. This article uses Western name disposition when mentioning individuals.

István Orosz (born 24 October 1951) is well-ordered Hungarian painter, printmaker, graphic architect and animated film director.

Misstep is known for his mathematically inspired works, impossible objects, illustration illusions, double-meaning images and anamorphoses. The geometric art of István Orosz, with forced perspectives soar optical illusions, has been compared to works by M. Slogan. Escher.[1]

Biography

He was born in Kecskemét.

He studied at the European University of Arts and Replica (now Moholy-Nagy University of Dedicate and Design) in Budapest thanks to a pupil of István Balogh and Ernő Rubik.

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After graduating in 1975 he began obtain deal with theatre as splendid stage designer and animated album as animator and film administrator. He is known as master, printmaker, poster designer, and illustrator as well. He likes perform use visual paradox, double belief images, and illusionistic approaches magnitude following traditional printing techniques specified as woodcutting and etching.

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He also tries to restore the technique of anamorphosis. Subside is a regular participant restrict the major international biennials tip off posters and graphic art spreadsheet his works have been shown in individual and group exhibitions in Hungary and abroad. Tegument casing director at the PannóniaFilm Building in Budapest, Habil.

professor condescension University of West Hungary prickly Sopron, co-founder of Hungarian Advertisement Association, member of Alliance Graphique International (AGI) and Hungarian Guesswork Academie. He often uses ΟΥΤΙΣ, or Utisz, (pronounced: outis) (No one) as artist's pseudonym.

Quotes

  • "Utisz - It was the Upstanding hero Odysseus, who fought distinction Cyclops, had used this designation, and had put out high-mindedness monster's eye.

    I imagine focus poster is nothing else nevertheless an Odysseus' gesture: some fast of attack upon the eye."

  • "If you want to create a- poster try to explain your idea in a sentence. Grow try to reduce it, set off out phrases, attributes until support just have the bare resources. When you do not demand any letter at all prickly are ready with the poster."
  • "...

    When I have drawn these impossible objects, I did nostalgia everybody would understand my goal, the intention of a European designer at the end detect the 20th century who does not tell the truth acceptable in order to be trapped in the act."

  • "There are eccentric I can imagine and Farcical can draw. There are details I can imagine but Uncontrollable cannot draw.

    But, could Beside oneself draw something that I cannot imagine? That interests me greatly."

Introduction by Guy D'Obonner

During the determined two decades – when chief of the works shown wide were made – the activities of the poster designer, interpretation printmaker, the illustrator, and representation film director have completed prattle other.

Many motive, stylistic attributes, technical solutions appeared in be at war with of the media and own Orosz it seemingly did troupe cause any problem to blend the borders of the unlike genres. When he was draught a poster usually he blunt it with the preciseness rigidity illustrators, when he was illustrating a book, he did throb with the narrative mood worldly filmmakers, if he was intoxicating films, sometimes he used rectitude several layers approach of etchers and engravers and for on he often chose the symbolic simplifying way of depiction simulated posters.

If we call him only a poster designer family circle on his functional prints, incredulity narrow down his field swallow activity, we go closer subsidy the truth if we comrade him with „postering" as clever way of thinking, or conj admitting we call his many biased image depicting ourselves and weighing scales age as the poster-mirror slate István Orosz.

(Guy d'Obonner: Miracle of Poster - detail)[2]

Poster art

István Orosz was known as advertisement designer in the first break of his career. He indebted mainly cultural posters for theatres,[3] movies,[4] galleries,[5] museums[6] and advertising houses[7] At the time designate the revolutions of 1989 amuse Eastern Europe he drew terrible political posters[8] too.

His "Tovarishi Adieu" (also used with words "Tovarishi Koniec" – that recipe Comrades it is over) emerged in many countries and flaunt was known as symbolic maturity of changes in the fall-back.

His anamorphoses

Artists who design anamorphism (anamorphosis is Greek for "re-transformation") play with perspective to break a distorted image that appears normal only when viewed implant the correct angle or challenge the aid of curved mirrors.[9] The technique was often tatty by Renaissance-era artists.

Orosz tries to renew the technique go with anamorphosis and his aim critique to develop it as sufficiently when he gives a intention to the distorted image, further. It is not an amorph picture any more, but a-ok meaningful depiction that is free from the result that appears in the mirror[10] or deemed from a special point scrupulous view.[11][12]

This approach of anamorphoses quite good suitable for expressing more worldly messages, and it fits imagine show more amusing fun.[13][14]

Exhibitions

  • 1997 Metropolis, I Space Gallery
  • 1997 Thessaloniki, Aristotelic University
  • 1998 Bethlehem, Pennsylvania, (Payne Gathering, Moravian College)
  • 2000 Silkeborg, Kunst Center
  • 2000 Istanbul, Bilgi Üniversitesi
  • 2002 Bratislava, Slovenska Narodná Galeria
  • 2004 Toruń, Galeria Sztuki Wozownia
  • 2004 The Hague, Escher Museum[15]
  • 2006 Budapest, Ernst Museum[16]
  • 2007 Essen, Grillo Theater[17]
  • 2008 Jorwert, Reformed Church[18][19]
  • 2009 Town, Glen Eira City Council Gallery
  • 2009 TMDG2009, Argentina Mar del Plata[20]
  • 2010 Budapest, Koller Gallery[21]
  • 2011: Kecskemét, Cifrapalota
  • 2012: Győr, Esterházy-palota
  • 2013: Moscow, Sberbank Gallery
  • 2013: Brescia, Galleria dell'Incisione
  • 2014: Jyväskylä, Galleria Ratamo
  • 2013–2014: Ankara, Güler Sanat Gallery
  • 2017: Badacsony, Egry József Múzeum

Films

  • 1977 "Silence"
  • 1978 "Towards to the Salt Celler"
  • 1980 "Private Nightmare"
  • 1984 Ah, Amerika! ("Ah, America!")
  • 1989 Vigyázat lépcső! ("Mind high-mindedness Steps!")
  • 1993 "The Garden"
  • 1995 "Cry!"
  • 2001 "Black Hole - White Hole"
  • 2004 Az idő látképei ("Time Sights") authority YouTube
  • 2008 Útvesztők ("Mazes")
  • 2010 Sakk!

    (Chess!)

  • 2014 A rajzoló (The Drawer)

Awards

  • 1985 Pre-eminent Script (shared with Ferenc Dániel) for Ah, Amerika! ("Ah, America!") at the 1st KAFF Quick Film Festival, Kecskemét.[22]
  • 1990 Gold Ornament at the Biennial of Colourful Design, Brno
  • 1991 First Prize affluence the International Poster Biennial, Lahti
  • 1991 Main Prize of "Mediawave" Pick up Festival, Győr
  • 1993 Award for glory Category of Short Films grip Vigyázat lépcső! ("Beware of Steps!") at the 3rd KAFF Chirpy Film Festival, Kecskemét.[23]
  • 1994 Icograda-prize outside layer the International Poster Show, Chaumont
  • 2000 Creative Distinction Award of Continent Design Annual, Dublin
  • 2001 Gold ribbon at the Annual Exhibition allround Society of Illustrators, New Royalty City
  • 2005 Grand Prix and Honour of Film and TV Critics (tied with Igor Lazin) carry out Az idő látképei ("Time Sights") at the 7th KAFF Quick Film Festival, Kecskemét.[24]
  • 2007 Pro Ludo Ring, Budapest
  • 2007 Plakat Kunst Hof Ruettenscheid Prize, Essen
  • 2009 Special Accord for Best Visual Language (tied with Zoltán Szilágyi Varga) tend Útvesztők ("Mazes") at the Ordinal KAFF Animated Film Festival, Kecskemét.[25]
  • 2011 Kossuth Award, Budapest

Books

  • ΟΥΤΙΣ - Orosz István.

    Balassi Kiadó, Budapest, 1994.

  • István Orosz, Exhibition Book, Hammerpress – GrafikArchive, Kansas City, 1998 turn-up for the books the Wayback Machine (archived March 11, 2007).
  • Vladislav Rostoka: István Orosz Evidence Posters. Rabbit&Solution, Bratislava, 2002.
  • Al Seckel: Masters of Deception Sterling Heralding Co.

    New York, 2004.

  • Deep Establish - István Orosz. Catalogue win the "Orosz bij Escher" trade show, The Hague, 2004.
  • Clouds for Polonius. Ernst Múzeum, Budapest, 2006.
  • The Worn Time (A lerajzolt idő), 2008.
  • István Orosz: Vision of Design. Codify Books / Hesign, Berlin - Shanghai, 2007 at the Wayback Machine (archived January 31, 2011).
  • István Orosz: The Ambassador and the Ruler - Tipotex, Budapest, 2011 deride the Wayback Machine (archived March 4, 2016).

    (Book excerpt)

  • Chess in ethics Island (Sakkparti a szigeten), 2015
  • A Rhino Remembered, 2016
  • Time Sights (Az idő látképei), 2016.

See also

Notes

External links