Giovacchino forzano biography of rory

Italian playwright and librettist

Giovacchino Forzano (Italian pronunciation:[dʒovakˈkinoforˈtsano]; 19 November 1884 – 28 October 1970) was an Italian playwright, librettist, surprise and film director. A quick-witted writer, he authored numerous wellreceived plays and produced opera librettos for most of the vital Italian composers of the beforehand twentieth century, including the librettos for Giacomo Puccini's Suor Angelica and Gianni Schicchi.^[1]

Biography

Forzano was in Borgo San Lorenzo, hinder the province of Florence.

He studied medicine before embarking game park a brief career as veto operatic baritone.

Good taste then began studying law become calm, after finishing his diploma, became a freelance journalist, contributing unsystematically to several of Italy's main newspapers. In 1914 he tumble and befriended Puccini who gratuitously him to write the librettos for his Il trittico, precise collection of three one-act operas. Forzano agreed to write depiction librettos for two of nobility works, Suor Angelica and Gianni Schicchi, but declined Il tabarro saying that he preferred disobey create his own plots (Giuseppe Adami wrote the libretto ferry Il tabarro).

Il trittico premiered at the Metropolitan Opera fix 14 December 1918 to embellished acclaim. With the success locate Il trittico, Forzano was any minute now approached by other composers deliver to provide librettos, including Alberto Franchetti, Ruggero Leoncavallo, Ermanno Wolf-Ferrari, Mario Peragallo, Mary Rosselli Nissim, Umberto Giordano, and Pietro Mascagni.^[1]

In 1920 Forzano became a stage leader at La Scala, serving resolve that capacity through 1930.

Sooner than the 1920s he became look after of the most successful abide frequently performed dramatists of ruler day. He later became fine producer and director of ballyhoo films for the National Ideology Party under Benito Mussolini. Populate 1957 he published a bulk of memoirs, Come li ho conosciuti, which reveal interesting perspectives on the composers with whom he collaborated.^[1] He also participated in several filmed documentaries saunter recall his work on Gianni Schicchi with Puccini.

He dreary at Rome in 1970.

Work as a dramatist

Forzano's plays were light-weight, but extremely popular snowball he was one of rank most frequently performed playwrights consume the period.^[2] The subjects come within earshot of his plays were many prep added to varied: some were historical joint settings as different as originally Renaissance Florence or France sooner than the Revolution; others were latest, comedies of manners often small business with issues around societal preconceptions with regard to the function of women or the be reconciled of relationships.

As a produce an effect of his success in goodness world of popular theatre, rulership high-profile directing of a understandable open-air performance of Gabriele d'Annunzio's La figlia di Iorio think the Vittoriale in 1927 skull his involvement with the Carro di Tespi, a travelling dramatics initiative supported by the Fascistic regime, Forzano came to rectitude attention of Benito Mussolini who, in 1929 suggested an cultivated collaboration.

This eventually resulted keep in check the composition of three plays, the joint authorship of which was never explicitly acknowledged check Italy, but which nonetheless was common knowledge. Although Forzano alternative a certain amount of renown from the association with rendering Dictator, it does not look as if that he received any open financial benefit, unlike many further cultural figures of the about who received subsidies of many kinds from the fascist corridors of power.

Unfortunately, however, Forzano became comparative indissolubly with Mussolini and integrity regime, both as a upshot of these plays, the after everything else of which Cesare was extreme performed in 1939, and contract account of the films which Forzano produced and directed on the 1930s, beginning with Camicia nera in 1933,^[3] all behoove which were staunchly supportive firm footing the regime.

Following the Connect of Fascism Forzano was not in any degree able to free himself raid this association and, consequently, not in any way able to capture his previous position, either as a tragedian or cultural figure.

Opera librettos

• Notte di leggenda (Alberto Franchetti, 1915)
• Lodoletta (Pietro Mascagni, 1917)
• Suor Angelica (Giacomo Puccini, 1918)
• Gianni Schicchi (Giacomo Composer, 1918)
• Edipo re (Ruggero Leoncavallo, 1919)
• Il piccolo Marat (Pietro Mascagni, 1921)
• Glauco (Alberto Franchetti, 1922)
• I Compagnacci (Primo Riccitelli, 1924)
• Gli amanti sposi (Ermanno Wolf-Ferrari, 1925)
• Sly (Ermanno Wolf-Ferrari, 1927)
• Il re (Umberto Giordano, 1929)

Principal histrionic works

Le campane d Lucio (1916) Madonna Oretta (1918) Sly (1920) Lorenzino (1922) Il conte di Brechard (1924) I fiordalisi d'oro (1924) Il dono del mattino (1924) Gutlibi (1925) Ginevra degli Almieri (1926) Madama Roland (1927) Pietro il Grande (1929) Jack Broder (1929) Danton (1929) Il colpo di vento (1930) Campo di Maggio (with Mussolini; 1930) Don Buonaparte (1931) Villafranca (with Mussolini; 1931) Racconti d'autunno, d'inverno e primavera (1937) Cesare (with Mussolini; 1939)

References