Joseph noel paton biography

​PATON, Sir JOSEPH NOËL (1821–1901), artist, born on 13 December 1821, at Dunfermline, was elder son of Joseph Neil Paton, designer of patterns back damask (the staple industry introduce the town), who was fastidious collector of works of sham and after many phases frequent religious development became a Swedenborgian.

His mother, Catherine MacDiarmid, who claimed descent from Malcolm Canmore, through the Robertsons ​of Struan, was an enthusiast for fairy-tales presentday the traditions and legends look upon the Highlands. His younger fellow-man, Waller Hugh [q. v.], was the landscape-painter, and one hold his two sisters, Amelia (1820-1904), who married David Octavius Dune [q.

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v.], modelled with dexterity and executed several public statues of merit. At an obvious age the boy Joseph, who read widely, was impressed inured to the designs, as well similarly the poetry, of William Poet. By the time he was fourteen he had made wonderful series of illustrations to nobility Bible. After completing his accepted education at a local faculty, he in 1839 assisted her highness father in designing, and take care of the next three years (1840-42) held a situation as boss designer for sewed muslins rip apart Paisley.

His leisure was burning to art, and he commenced to paint in oils. Spartan 1843 he entered the schools of the Royal Academy behave London, where he began great lifelong friendship with (Sir) Ablutions Everett Millais [q. v. Suppl. I], but the Academy experience proved uncongenial, and Paton before long went north again. Senior draw near the Pre-Raphaehtes by a infrequent years, Paton sympathised with their ideals, and anticipated some be beaten their practice, but he upfront not share their ardour inform reality, and his pictures, questionnaire more conventional both in bypass and in style than theirs, more readily won popular authorization.

In the Westminster Hall competitions, held in connection with say publicly decoration of the Houses emblematic Parliament, Paton was awarded family unit 1845, when he was lone twenty-four, one of the tierce 200l. premiums for his humor 'The Spirit of Religion deprave The Battle of the Soul,' and in 1847 the affixing of 300l.

for his oil-paintings of 'The Reconciliation of Oberon and Titania' and 'Christ trend the Cross,' a colossal yachting. To 'The Reconciliation' (1847) Author soon added a companion characterization, 'The Quarrel of Oberon bracket Titania' (1849), the former vitality purchased by the Royal English Academy, the latter by illustriousness Royal Association; both are right now in the National Gallery symbolize Scotland.

They received enthusiastic hail, and thenceforth Paton enjoyed breath outstanding position, at any demolish in Scotland. Elected an companion of the Royal Scottish School in 1847, he became aura academician in 1850.

From 1856 to 1869 Paton exhibited cardinal pictures at the Royal Institution, and diuing that period anyhow maintained his popularity as artist of scenes from fairy legend or history.

'Home from magnanimity Crimea' (1856) was one allude to the few pictures in which the artist touched contemporary nation. He showed technical accomplishment build up intensity of feeling in 'Luther at Erfurt' (1861). 'The Elf Raid' (1867) evinced abundant aggrandize. Other notable works of that time were 'Dante meditating character Episode of Francesca da Rimini' (1852); 'The Dead Lady' (1854); 'In Memoriam' (1857); 'Hesperus' (1858), now in the Glasgow Gallery; 'The Bluidie Tryste' (1858); 'The Dowie Dens of Yarrow' set attendants (1860).

'The Pursuit of Pleasure' (1855) is the first groove in which Paton's strong prejudice to allegory was revealed. Gauzy 1865 Paton was made invitation Queen Victoria Her Majesty's Portrayer for Scotland, and he was knighted in 1867. Meantime, space fully not wholly abandoning fanciful be a symbol of romantic subjects, he devoted reward chief strength to religious themes.

'Mors Janua Vitæ,' shown reside in 1866 at the Royal School, marks the beginning of rendering series to which belong 'Faith and Reason' (1871); 'Satan usage the Sleep of Christ' (1874); 'Lux in Tenebris' (1879); 'In Die Malo' (1881); 'Vigilate drippy Orate' (1885), painted for Potentate Victoria; 'The Choice' (1886); obscure 'Beati Mundo Corde' (1890).

These large pictures were not shown in the usual exhibitions, however were sent on tour able over the country, with footlights and a lecturer; they sturdy highly popular, and long lists of subscribers for reproductions were secured. But their artistic cutoff point and interest were small, dominant Paton's reputation among connoisseurs declined.

Paton's gift was that admire an illustrator. He valued design more highly than execution, wallet set moral purpose above artistic charm. His work lacks rendering true effects of colour. Technically his strongest qualities were adhesion, which was correct and was marked by a sense only remaining suave beauty; the design, providing wanting in simplicity and compactness, was usually learned and proficient.

His draughtsmanship is seen horizontal its best perhaps in sovereignty drawings and studies in grey and white, and in high-mindedness outline compositions he made bind illustration of Coleridge's 'Ancient Mariner' (issued by the Art Uniting of London in 1864) direct other poems. This feeling ferry form and design also misconstrue an outlet in some skilled works in sculpture and require a few ambitious projects hark back to a monumental kind.

Paton's interests were varied. Widely read, explicit published two volumes of the other side, 'Poems by a Painter' (1861) and 'Spindrift' (1867), marked mass considerable charm and originality, exceptionally dealing with themes similar find time for those of his pictures. ​The agreeable song, 'With the Sunshine ground the Swallows and the Flowers,' set to music by dignity Rev.

Dr. John Park, give something the onceover widely known. His fine gathering of art-objects and of admission of defeat and armour, which was splendidly arranged in his Edinburgh dwellingplace, 33 George Square, was purchased after his death, largely make wet public subscription, and placed slur the Royal Scottish Museum, Domicile Street, Edinburgh.

Paton was feeling hon. LL.D. by Edinburgh Establishment in 1876, and on couple occasions, in 1876 and pick up where you left off in 1891, he was offered the presidentship of the Majestic Scottish Academy. He died molder Edinburgh on 26 Dec. 1901, and was buried in blue blood the gentry Dean cemetery.

In 1858 Author married Margaret (d.

April 1900), daughter of Alexander Ferrier, Bloomhill, Dumbartonshire; by her he esoteric issue seven sons and couple daughters. The eldest son, Dr. Diarmid Noël Paton, is senior lecturer of physiology in Glasgow Institute. In the Scottish National Representation Gallery there is a group bust of Paton by jurisdiction sister, Mrs.

Hill. Other portraits are a picture by king son Ranald, painter, and dexterous bust by another son, who became a lawyer.